等待!\方舟HD中字

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等待!\方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

年份
1985
地区
其它
语言
其它
导演
皮奥特尔·舒尔金
选集
SYNOPSIS

故事梗概

Set/] in an unde,=$rground d%;:ung-eon@ inhabite#d%@? by bundled,) rag=)@g[@?ed huma,n beings, afte(r the ,\nuclea.r ho_. locaust.`- The/ story follows _@the w.: andering =s o`f a hero th,rou$^.)gh the=_) situ[atio#@ns of survival. Peop? le wait fo@[r t-,^he+?( .@Ark to ar rive a@?nd rescue them while their habitat f--all:(!s apar=t.　　D_#el-vi-/ng d=eep i *nto the dusty and long aband$ ^onded v+\aults of ^:b;#-cinema i% n search of )!lost , gem+s always leave`s me with a bitt/!erswe(et t_:as)-te. On o!\ne hand _.the +` d -*is/]^covery of unex #$pected gems ;where no _ ?!one would th:-ink them po,?s)[sible is a rewarding experience@% (. On the/ oth!+.]er han$d though it makes one wonder h]ow many of thes_e rema,rkab.$ le low-budg#[^e=t oddities,# personal @!l$=ove affai^;rs /.(of d*_irectors ne$]/;ver quite fam;ou`),;s and now al\/l +but forgo*]tte/:n@-, have  alm;`ost forever?_ slipped fr-om m(emory　　n. a/-,ny  ?c)`ase what we have here i s a little post%@-ap#oca/lypt+-:#ic !gem from Po*land tha^t i^/ $:s @[really better than it has any ri[ght to.% The dystopian near fu(t\[ure of O-BI, O?:-BA fin@)) d=`:s a grou[p o+_;)f survi=$vor$=s of ) the .nucl$@ear war !- ]that ravaged!$_ the=  E=arth inhab;)i%+@ting an!_ underwor-;$l )d_@ concre;_/te bunk$[-%_er an?d bidi@.ng $the-%:ir time as t^$hey wa*-it fo ;%r the my^+ ste#%)r[ious +) Ark, a[?n air =%ship  of s`. _o+ me kind that w%:il@!l come. and save them. Th*e A,^\rk% .\pr_ov:es to be a)n elaborate hoax, care-! fully d;_esigne];::d to giv/e h=+o+pe to ,@the malnour-;i%+she;d and despe,rat =e denizens of the bunker,!`% in) th@e me?%;antime the dome that separate+]s *their mise.)!rable!( existen()c.e f-`r:^.o)m t ,h-]:e n+uclear winter ou- tside is slowl:%y caving i]@n.　　What first str+ #iked m[`@e )( abou]t ] th(e mo.\vie is the design of t]==(he !%[bunker![ and the de.;,pictio?*n of the surviv%ors. The surv//ivor=% s are ga#,unt, filt\hy and[ terrible-l o#oking penitents,\( dressed#,` i/n rags and aim`@lessly wandering the neon-lit halls of t@he- bunker (like#)*$ automaton/s. The ;\bunk/er is a rundown,$#.\ se+/ edy place,`$#:  _wit@h brig$^:ht neon(#_ lights peering from`\ all_ sides like t)he eyes of mal!.ignant( beas=ts.　　On one \han:d[ !@it i?s )+a s#:lightly 80's depiction o f th\$e  dyst!\o ]]!pian future b; ut#\ the *`movi-e never s*` to[]?ops$+\ dow:n to MAD MAX ch :e]^ese. Inste.ad ($%it combines) biting, poli%%tical satire wit *h the bleak outlook of a world (-_with no future, black comedy[] w@ith )barbs on?. apa-/thy,) r* eli=g?i \on a.nd .p?^$o)^)wer. The sur`.viv@%ors, fo()r exam@ple, a.;r]]:e fed s@ ]ome kind :o ,f fl`)o`ur dro@p;_(ping fro[m a tub- *e that hovers in the( air-+ - la-ter on^`# we d/is[! ]cover the fo-)+]od s*uperv] isor use^$/s bo`oks and the # Bib(:[le itself ;@]as filler f=)or th\+is meag ]-re meal. Ther!.e are+ many su( ch s(]hort[% symbol$-#ic? , touches, perhaps - not life-changing  or: faith-%rest! oring^@ , y_ et pl_/%`ayfu@l, cle^ver and inspire]/?d+?.　　 ),O+n@#e t)hing is for s*)#u re; O-BI, `O-BA is not `$your:%*^ run-*)@of-the-mi]@ ll sci*-fi sch?]`lock.$ It $(!+overco=+m]`es its mode(st budget w!$*ith creativity and ha[^s genuine %-artistic( aspirat?ions bo$th f`/r*?*+ o#m a writ=/ing and direct-ing perspe*ctive. My +$opinion is tha+:t it sh:ould have been filme#d in -?black and white ins?:tead#+ of col*?our though. The director uses at`=[m .os@pheric light a+(nd shadow  )t,] o great effec\t an.d i@,*t wou_\ld have ` r\eg(\istered even bett er =in stark b+*!lack a#^nd white.:. The blue-green neon\ on the;. oth)er han_d outs=%t/=!ays its /welc,([!om!=e after a while. [Just a minor gripe in an o)%th%[%erw][;ise( s(`olid b- m,+ovie with !:its heart  )*set in all the:` r%igh@ t pla#ces./　　(,/Imagine( a less bleak/! THE  ROAD+( (Cormac McCarthy) being injecte/ .]d @with the %sat== ire and humour of DR.STRANGELOVE and you'r e getting the re. See% it $@if %`;y^ou can find it.