造物!的奇迹

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造物!的奇迹

Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl

年份: 1925
地区: 其它
语言: 其它
导演: Hanns,Walter,Kornblum

选集

SYNOPSIS

故事梗概

Wu^nder der Schöpfun-g;-$ is an extraordinary, fasci _nating K\!ul ,.turfilm trying to e[$xpla)in t he;+ whole human` knowledge of `the 1920s ab out t[$h;e /;,wo.\r(]ld and the universe. 15 ,s* pecial@ effect, #s+ experts and 9 cameramen\\* were] invol\[v(ed in the/\(\ productio n of this film $]%w = hich([ c o_mb.ines ,$docume[ntary scene#s], histor #.ical docume\;.nts, fi?*ction elements, a^-$ni^matio(n scen )%es and` educational impact., It it`*s%,#@? beautifully color# ed, us[ $ing tint?-ing;^= and toning in a ve\ry el@*a@]borated way\\%. Some vis # ual id?eas in the sequences wit^)* h a space shu\,t-[tle visiting diffe/@rent plane/=ts]/ in the universe seem to ^\@ha/#+ve to be the inspi!ratio^[n =)^$)for Stanley K],`ubrick's 2001 A@^ Sp!^ !ace Odyssey,-! .　　In th]\e@^ context of German y']])s Kultu\^rfilm phenomenon, Wun#der d! ;er Schöpfung ?)\was a@mong the greatest ;a[(chieve=?^ments of\? the (`1920s. Th==e pro@duction was c.o_nstructe@[d, rehearsed, an)$%d shot )#_o;ver a :period of:+/# two and a half ye=ars, under ^_]the s\upervis:ion of Hanns Walt=er _ Kornblum. Th^ *e idea +t [o^` descr[ ibe t @he un./iv]er[se and man's \plac)e in it \+@well suit,ed UF /_A':s `;Grossfi:_lm %_?me!:ntality, o(?@ne#] year (%before[ )[the Metropolis ca(]ta#strophe. Hundreds ; of s,)killed/ craftsmen participat%ed in th# e project, building pr%ops and constructing? scale% @models + dr*-\aw%$n by 15 specia#\^l* effects draugh,/tsmen, while 9 cameram@^=en+ in -s)\epara$t/):e !=$ $units worked o n: t.he his`-(\tor,%ical, document[ar $*y, f=iction, anim,@ati=?on, and [,scie=-nce -fic)#tion seq*?:=uenc.es. Without st*+ar roles `.::or even pr[.)@ot$*,ago. \n;ists, the film's;_ plot i\s crowde@[%d w\ith _meticulou@sly structured an=d+\ skillfully acted single sce),nes )an a#rtful mosaic of sma!ll v:ignettes. %?;@!No les:s than$ four cred/^ited, universi`/ty professors ens#.ured =!/t,he factual ),:.background behind the scientifi(,*#c and h*`ist%orical events @port$rayed.　　T^))h[e film's -)symbol of p`=rogr\\ess and the new scientific e^_ra* is a $[?spacecr@aft, travelling t)-)hro! ugh the Milky W_^ay, making a ll the p\lanets %( and their- i-\nspi;[ring worlds fami ;:l\@iar to] $us, with t)he extrav_aganz _a o f!# !% thei[r d,is]tinctive/) features. The film's e_ ducati_%o.nal.# intentions, )however, bec`*$`ome *\stead^il#[#+y more ` o``bscure, humorous, .(-or even c%am# py as t h[is popularization projec]_+/t pr]+]oceed$s. Wit@]h th[%e excus )]e )of presen;ting the end of?;: the :$wor;,\-ld a,[ not-so-new concept a[-s a new-,%?% undeni.ably scient ,ific truth--, the fi@lm \( +v+/ ee]@rs h\)appil=;y a@ [long a new pa):th, d ?i!!splaying detaile+d^/ ap oca(],ly)@)ptic ;scenes of t(!,he* e:nd of mankind. For to\`day's! audiences, th;^ is amazing film .d\?emonstra te_,s how !the univers!;\\e was comprehe?-]nded in the 19/_/20s, and ho[$)w*\ t`$\[hat vie._@w )was sold #to)+[ c[ontemp `@orary aud?!iences.