Netflix is inves ting? in two ne)$ w@ Swedish$= film;]s – i nclu\ding "Tru;:]stor", a d[(**ocum`;entary b)]y Karin af Klintbe_`rg and +!-, Teresa Alldén); about on*e(;* of!? ;]Sweden's most not)o;#_rio$us eco-, cr*!^ imes* . .*_Here, Joachim Pos%@^^ene +r steps, f[`^%.or% ;wa, rd and tells hi `s story in his own w) o ^rds % about the [ ^Trustor scandal. Karin af Klint-,=b:! er g%! asks herse lf: "How c#an(,_ fiv._;%e pe ople\: sw(. indle 60# ;0 milli?[on and still go free?" "It's men who are cheati,*\ng the system,, a c:l!@assi;*?%c ca@^[t-an/%-d-mouse game;#\ a\+nd a ,# ]financi_?al `[_sector that\ got- duped. Regardless of whether it was ]\a clever; # or clumsy heist, the th ie\%[[ ve s got? away with a _ \t]:+reas_+ure \#+chest % ,with *out +# ei.-_ ther=): a robber's mask or firin\ (g a _single ]+shot.;_ But t(.;here we/ re als o ,victim/=s, one mustn't f- orget", she says [ +i;n a [ pre#,+ss rel= ease.
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